Now you can get the best out of your laptop at every gig. The UAC-2 is portable, bus-powered (no AC connection required), and built rugged for the road, plus its advanced converters and support for USB 3.0 SuperSpeed ensures superior audio wherever your music takes you.
Broadcast your creativity, enhance your gaming experience, and share your performance with the world. The UAC-2's Loopback function combines the input from connected mics, instruments, and line-level devices along with background music or other audio tracks being played back by your computer and then instantly routes a custom blend of the signals to your streaming software.
Pair a UAC-2 with your DAW and create great audio in any recording environment. Connect a wide variety of microphones, line-level devices, and instruments. Use Direct Monitoring for zero-latency overdubbing. Sync your MIDI controllers, sound modules, and drum machines. Archive your favorite recordings in high-resolution formats. The UAC-2 provides everything you need, in one compact device.
The SuperSpeed USB 3.0 transfer protocol supported by the UAC-2 is ten times faster than USB 2.0 and six times faster than FireWire 800. The result Low-latency (2.2ms roundtrip @ 96 kHz/32 samples) for improved performance from your DAW software, and a stable data stream that is unaffected by computer jitter (slight variations in timing), so there's no need to connect an external master clock source. What's more, the extra bus voltage carried by USB 3.0 (900 mA, as opposed to the 500 mA carried by USB 2.0) allows for the use of higher-end electronic components such as the advanced preamps and converters in the UAC-2.
The UAC-2 uses high-end components such as the Burr Brown PCM4202 analog-to-digital converter and AKM AK4396 digital-to-analog converter. In addition, the UAC-2 performs 4-times upsampling during both analog-to-digital (A/D) and digital-to-analog (D/A) conversion. In other words, when the sampling frequency is set to 44.1 kHz or 48 kHz, the UAC-2 processes the signal at high resolution 176.4 kHz or 192 kHz. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity.
Use Audio MIDI Setup to set up audio input and output devices, such as microphones and multichannel audio interfaces. You can also use it to route audio from iOS and iPadOS devices directly into your Mac.
If your Mac supports the hardware sample rate converter, the Hardware Rate Converter pop-up menu is available in the Input pane. When you choose Automatic from the pop-up menu, the hardware sample rate converter is turned on if the audio samples coming in are PCM and formatted according to the international standard IEC 60958-3. The hardware sample rate converter is turned off if the input stream is encoded. You can also choose Enable or Disable from the menu, to keep the hardware sample rate converter turned on or off.
Tags: 6 channel to 2 channel, 2 channel to 5.1, convert 2 channel to 5.1 channel, convert 6 channel to 2 channel, how to change audio channel, audio channel converter, 5.1 to 2 channel, 6 channelto stereo
Acting as the professional Audio Channel conversion software, Bigasoft Total Video Converter can easily change all kinds of video audio channels to 5.1channel, 2 channel stereo or 1 channel mono. It even can convert audio channels between 6/5.1Channel, 2 Channel/Stereo and Mono. And it supports to change audio channels in various video or audioformats including MP4, H.264, MKV, AVI, WMV, 3GP, MOV, RMVB, WebM, WTV, TRP, MXF, MVI, AVCHD, DV, VOB, DVR, MPEG, FLAC, DTS, OGG, CAF, AC3, AAC, WAV, WMA, RA, MP3, MP2 and etc. It has both Windowsand Mac version to help you convert audio channel on PC or Mac OS X.
Some audio interfaces also have MIDI I/O on them, which could save you from having to buy a separate interface for external MIDI gear. If you only intend to use a MIDI keyboard, though, remember that this could plug into one of your computer's other USB ports, so MIDI I/O might not be an essential requirement.
Most audio interfaces connect to your computer by USB or Thunderbolt or by using a Lightning adaptor with iOS devices. The cable required for connectivity usually ships with the interface but not always with Thunderbolt 3 and Lightning, so do check what you get in the box.
Specs always include the numbers of audio inputs (as XLR or 1/4-inch jack or a combination of the two) and audio outputs. Inputs indicate the number of instruments or microphones you can connect up to record simultaneously. Check the interface has a phantom power option if you want to connect up a condenser mic which requires external power. The number of outputs refers to the number of connections available to your studio speakers or other hardware boxes, including outboard effects.
Getting one of the best audio interfaces for your studio is one of the most important buying decisions you can make as a music producer. The audio interface is the key device in any recording set-up as it is literally the interface between what you record and what you hear playing back. If you spend any time making music on a PC or Mac, owning one of the best audio interfaces will enable you to get high-quality audio in and out of your computer, and to connect other essential studio gear and instruments during your recording sessions.
But if you just want to read about the best audio interfaces out there right away, keep scrolling. First we reveal our top recommendations with some of the best audio interfaces you can buy right now. We have options covering everything from multi-input options to great entry-level interfaces. Then we look in detail at each of the interfaces on our full list. Whatever your interfacing needs, there should be something here for you.
This is a musically empowering hardware/software hybrid that's capable of elevating even the humblest of home and project studios to genuinely professional-quality heights, and certainly one of the best audio interfaces you can buy.
This one makes our best audio interface list because in action the performance of the Komplete Audio 2 is as slick as its looks, and though the features are basic, it does its job admirably. And when you consider the excellent software bundle, it's great value.
Of the new features, we especially love Audio Loop-back, useful for podcasters and live streamers. In essence, Loopback lets you record audio from a computer on separate channels to your mics, providing a lot of versatility when mixing.
Revolution 2x2 incorporates Black Lion Audio's circuit design expertise into a 2-in, 2-out audio interface with a decent software bundle, including Presonus Studio One Artist, iZotope Elements Suite, Brainworx bx_ digital and Lindell 6X-500.
Revolution 2x2 is packed with quality components and even includes branded USB cables. Meanwhile, a new Macro MMC clocking circuit and PG-I power filtering and decoupling system prioritise audio fidelity.
Clarett+ has improved independent A-D and D-A converters, slightly better noise figures throughout, and improved dynamic range. The mic inputs are silky smooth and have plenty of headroom, and the outputs are crystal clear and suitably noise-free. If you want to add some life to your input, the Air option does just that. Also excellent are the two JFET instrument inputs, substantially better than a regular instrument input.
The Volts are a radical departure for UA, but they deserve to shake up the budget interface market with a great design, a plug-and-play workflow and hard-to-beat audio conversion. It's bad news for other affordable interface makers: these are great!
AudioFuse connects via USB 2, but USB connectivity goes further; Arturia has built a USB hub into it, providing three extra USB ports. AudioFuse provides a beautiful and contemporary approach to USB audio interfacing with a great design, compatibility with a huge range of possible audio sources, a great sound and a highly tactile control set.
Antelope Audio is one of a small group of manufacturers that produces premium audio interfaces with onboard processing. In 2019 it launched an improved architecture, Synergy Core, that uses both FGPA and DSP chips to deliver near-zero latency onboard processing during recording or mixing.
There are many companies making audio interfaces but some brands that score consistently well in our reviews and we stand by in terms of build quality, features and value for money are Apogee, Audient, Focusrite, Native Instruments, Steinberg, SSL and Universal Audio. 153554b96e